My Love Story Bollywood Movie: Check out the latest news about 's My Love Story movie, story, cast & crew, release date, photos, review, box office collections and much more only on FilmiBeat. There's enough material here to fill an entire multi-part docu-series, but 'My Psychedelic Love Story' is an intriguing and often-humorous look at these crazy events, anchored by Harcourt-Smith's presence. She’s the reason to see it. You can understand why nobody who met her ever forgot her. Premieres Sunday on Showtime. Love Story' is a popular song published in 1970, with music by Francis Lai and lyrics by Carl Sigman. The song was first introduced as an instrumental theme in the 1970 film Love Story after the film's distributor, Paramount Pictures, rejected the first set of lyrics that were written. From Wikipedia, the free encyclopedia My Love is a 1970 Bollywood romance film directed by S. The film stars Shashi Kapoor and Sharmila Tagore.
MY PSYCHEDELIC LOVE STORY (TV)
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(director/writer: Errol Morris; screenwriter: based on the book: Tripping the Bardo with Timothy Leary: My Psychedelic Love Story by Johanna Harcourt-Smith; cinematographer: Igor Martinović; editor: Steve Hathaway; music: Paul Leonard-Morgan.; cast: Errol Morris, Timothy Leary, Johanna Harcourt-Smith; Runtime: 102; MPAA Rating: TV-14; producers: Errol Morris, Robert Fernandez, Steve Hathaway; Showtime; 2020)
“The main characters were so limited.”
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Reviewed by Dennis Schwartz
The prolific documentarian Errol Morris’s (“The Thin Blue Line”/”Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.”) adaptation of the 2013 memoir Tripping the Bardo with Timothy Leary by Johanna Harcourt-Smith is an engaging one but not a good one. Johanna Harcourt-Smith, the celebrity socialite and vacuous radical, was briefly linked to the LSD guru Timothy Leary from 1974 to 1977. The middle-aged former Harvard psychology professor was the lover of the much younger woman while on the run from Nixon’s war on drug agent goons.
The promiscuous party-girl Harcourt-Smith’s affair with the outcast LSD guru Timothy Leary began in 1974, when Leary was on the lam and hiding in a ritzy Swiss hotel. Their relationship ended in 1977 over an argument. They were living together in an FBI Witness Protection program in Santa Fe, after nabbed in Kabul. The slimy dude to save his ass had turned “snitch” and informed on his former disciples.
Their relationship forms the basis of this historic narrative, but fails to make any history because the main characters were so limited.
“My Psychedelic Love Story” is a sequel to the 2017 Errol Morris-directed TV mini-series, “Wormwood.”
In the narrative, Morris brings up things about HS’s time spent with Leary and questions her experiences globe-trotting around the world with the guru and the many strange and famous characters she met while with him, including the shady Hungarian banker Arpad Plesch, the celebrity Rolling Stones guitarist Keith Richards and someone called Donald Strange.
Now in her 70s (she passed away in October, just after the movie release) HS sits in her living room on a sofa and freely tells tales of her bohemian life of free love, her childhood sexual abuse in Switzerland at age 5 with her tutor and, all the while, comparing herself to Greta Garbo playing Mata Hari in the 1931 spy film. She tells us in all seriousness, which she passes off as the wisdom she learned as a bohemian, that “You can never tell how rich people are.” There are clips of the womanizer fraud LSD guru saying even more ridiculous things.
The crux of the film has HS questioned by Morris, who asks if she was a “C.I.A. sex provocateur, ” as accused of being by the poet Allen Ginsburg. The hippie poet claimed she entrapped Leary to be taken into custody by CIA agents and had him returned to prison after his escape. Her catty reply was: “Was I?” Which suggests she was. But Morris was not after the truth, he just felt comfortable letting her blather on and never pressed her for answers. Morris accepts her as a liar and merely views her as an amusing publicity hound and a parasite who made her name off the other eccentrics she surrounded herself with.
We get the picture of both characters as immoral dirt-bags, who were unscrupulous operators you don’t want to be around (with the lady liar being more dangerous than the snaky man). They were people who really have nothing to say of value and whom you can’t trust.
The prolific documentarian Errol Morris’s (“The Thin Blue Line”/”Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.”) adaptation of the 2013 memoir Tripping the Bardo with Timothy Leary by Johanna Harcourt-Smith is an engaging one but not a good one. Johanna Harcourt-Smith, the celebrity socialite and vacuous radical, was briefly linked to the LSD guru Timothy Leary from 1974 to 1977. The middle-aged former Harvard psychology professor was the lover of the much younger woman while on the run from Nixon’s war on drug agent goons.
The promiscuous party-girl Harcourt-Smith’s affair with the outcast LSD guru Timothy Leary began in 1974, when Leary was on the lam and hiding in a ritzy Swiss hotel. Their relationship ended in 1977 over an argument. They were living together in an FBI Witness Protection program in Santa Fe, after nabbed in Kabul. The slimy dude to save his ass had turned “snitch” and informed on his former disciples.
Their relationship forms the basis of this historic narrative, but fails to make any history because the main characters were so limited.
“My Psychedelic Love Story” is a sequel to the 2017 Errol Morris-directed TV mini-series, “Wormwood.”
In the narrative, Morris brings up things about HS’s time spent with Leary and questions her experiences globe-trotting around the world with the guru and the many strange and famous characters she met while with him, including the shady Hungarian banker Arpad Plesch, the celebrity Rolling Stones guitarist Keith Richards and someone called Donald Strange.
Now in her 70s (she passed away in October, just after the movie release) HS sits in her living room on a sofa and freely tells tales of her bohemian life of free love, her childhood sexual abuse in Switzerland at age 5 with her tutor and, all the while, comparing herself to Greta Garbo playing Mata Hari in the 1931 spy film. She tells us in all seriousness, which she passes off as the wisdom she learned as a bohemian, that “You can never tell how rich people are.” There are clips of the womanizer fraud LSD guru saying even more ridiculous things.
The crux of the film has HS questioned by Morris, who asks if she was a “C.I.A. sex provocateur, ” as accused of being by the poet Allen Ginsburg. The hippie poet claimed she entrapped Leary to be taken into custody by CIA agents and had him returned to prison after his escape. Her catty reply was: “Was I?” Which suggests she was. But Morris was not after the truth, he just felt comfortable letting her blather on and never pressed her for answers. Morris accepts her as a liar and merely views her as an amusing publicity hound and a parasite who made her name off the other eccentrics she surrounded herself with.
We get the picture of both characters as immoral dirt-bags, who were unscrupulous operators you don’t want to be around (with the lady liar being more dangerous than the snaky man). They were people who really have nothing to say of value and whom you can’t trust.
REVIEWED ON 12/5/2020 GRADE: B-
“My Psychedelic Love Story,” which premiered last week on Showtime, finds Oscar-winning filmmaker Errol Morris examining the wild lives of LSD advocate Timothy Leary and his lover, Joanna Harcourt-Smith. The film comprises of one long interview with Harcourt-Smith as she recalls a tumultuous period in the 1970s in which Leary had escaped prison, having been convicted for 20 years for marijuana possession. The documentary not only delves into Harcourt-Smith’s whirlwind experience of being with the man Richard Nixon once called “the most dangerous man in America” but also how her efforts to ensure Leary’s freedom involved her working with the FBI.
SEE‘The Way I See It’: From Critics’ Choice winner to Oscars?Harcourt-Smith proves to be a fascinating storyteller as she discusses her reputation, her childhood and what drew her to Leary. Quipping at one point that she “always wanted to be with an outlaw,” Harcourt-Smith invites the viewer into her spiritual early life, often using the word “destiny” to describe how she ended up with the “high priest of LSD.” Their whirlwind affair resulted in the pair entering a common-law marriage a mere two weeks after meeting. “Psychedelic” ends up being an appropriate description of their romance, with euphoric highs and sobering drops back into reality as Leary tries to evade capture. “My Psychedelic Love Story” also provides greater details into their fraught relationship with government agencies and just how Leary was able to be released from prison.
While the conceit of one long interview could be monotonous in another director’s hands, Morris helps bring Harcourt-Smith’s colorful story to life with bold onscreen text and groovy graphics that evoke the ’70s time period. We also see plenty of archival footage of Leary and Harcourt-Smith, individually and together, and even clips from films like “Alice in Wonderland” and “Double Indemnity” to represent certain ideas being expressed.
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Morris is a well-known director in the documentary world, previously winning an Oscar for his 2003 doc “The Fog of War.” This could help give him a boost in the upcoming Best Documentary Feature race at the Oscars where “My Psychedelic Love Story” is looking to stand out in a field of what will likely amount to over 100 docs. Older Academy voters that remember Leary, who became something of a pop culture icon in the ’60s and ’70s, may be more willing to check the film out, especially with a name like Morris behind it.
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